Mar 11

The above title was from a retweet that appeared on my timeline recently. It was tweeted by a literary agent and retweeted by another. Why would two people who are prone to receiving fantasy fiction have such a low view of such an important resident of Western fiction?

I got thinking about Vampires and their presence in literature last year when a friend tweeted a link to an this article: Why women love vampires and men don’t.

There are two main points in the article that I’d like to have a look at:

  • Women love bad boys and the chance to change him, writer says
  • Writer says a vampire is a monster, who looks, acts, and talks like a man

Without getting into a debate about what women do or do not love, I’d just like to say that these particular points are somewhat contradictory. No, perhaps contradictory is a bit too harsh. Just that perhaps the second point is so much more significant than the first that the bad-boy-loving women don’t realise how little chance they have of changing the monster.

A couple of years ago, I finally got around to reading Dracula (I love Project Gutenberg). Dracula is (of course) the archetypal literary vampire. A bad boy? Most certainly. Going to be changed by any woman? I don’t think so.

Before we go any further, let’s just make this clear: Dracula is Evil. Not just a bad boy, evil. Flashman was a bad boy. Heathcliffe was a bad boy (or at least became one). Wickham was a bad boy. Not Dracula.

Having said that, I can see how the tendency to move away from the monstrous and towards the sophisticated and beautiful creature of the night started with Dracula. He played the part of a Lord well. He was polite and clever and interesting. He was well dressed. Mysterious. He was also very attractive to women, but that was as much his supernatural power as anything else. But it was all just for show. He only acted and appeared like that so that he could live among his prey.

James Maliszewski reviewed Dracula in his Pulp Fantasy Library reviews. He said in his conclusion:

I find vampires to be both attractive and repulsive: attractive, because the idea of nearly-immortal damned souls stalking the night is a terrifying one; repulsive, because too few people nowadays look on vampires as unambiguously evil … I think there’s still a lot of punch left in vampires but most of that punch comes from contemplating their status as thralls of Hell (whether literally or metaphorically) rather than as forever-young demigods.

Wil Wheaton was a little less polite:

I’m so old, I remember when vampires were scary and awesome, and they only sparkled in daylight before bursting into flames

Before anyone else says it, I’m not trying to say that all vampires should be exactly like Dracula. Vampires (of various varieties) have existed in folklore for centuries and almost as long in literature. Dracula was just the one (thanks to Stoker and also to Bela Lugosi) that captured the public imagination. I haven’t looked far but I haven’t found any serious mention of vampires (recent literature excluded) that are just mostly bad and actually quite good on the inside, like an undead version of the Leader of the Pack.

I particularly like the vampires of the Dresden Files. While there are various breeds of vampires (the Black Court being “Stoker-standard”) they are all monsters. They are all (as Butcher puts it) “supernatural predators” who are basically just out to eat us. On the odd occasion where this is not true (The Brotherhood of St Giles, the odd White Court Vampire like Thomas) they are really just the exception that proves the rule.

My point? If it’s not broken, don’t fix it. Dracula-stereotyped vampires are cool. They are true vampires. If you want to mess with the archetype, then do so in a cool and original way.

I’ll leave you with another @wilw tweet that was just too good to leave out:

Lost Boys was a little silly but still ultracool, and Near Dark is the best vampire movie ever made. SUCK IT SPARKLEDORKS.

A disclaimer: I have neither read Twilight nor seen the big-screen version. I’m sure I shall one day (and, just like Harry Potter, I will no doubt do so in secret to preserve my precious reputation) but I’m one who tends to avoid pop-culture (of any sort) while everyone is still talking about it.

Tagged with:
Mar 04

Carrying on from lasts week’s post. The last.fm group is up and running and even has a few members. I’ve started a thread where we can put in our recommendations for music others may not have heard. In the interests of saving me from thinking of something new to post, I have stolen my first recommendation from there to put here…

Apollo Up! are a fairly straight forward rock trio. To be honest, there is nothing particularly imaginative or inventive about their music but I have loved it ever since I first heard Walking The Plank when it was featured on some mp3 blog.

The music is on the heavier side but still firmly in the middle of a “Rock” genre. No metal influence, very little punk influence and no electronics. Lead singer Jay Leo Phillips has a voice very reminiscent of Elvis Costello (only harder) and it was that suggestion that made me want to listen in the first place.

They have their own band page where you will find a selection of tracks from their albums to download to get you started. There are also some on last.fm to stream.

If you like them enough to want to spend some money on them, their albums are available on Amie Street and are still very cheap there (cheap as in just over $5 would get you everything!).

To get you started, my favourite track is “The Job’s A Game” (a short but powerful song, not streamed or free I’m afraid) but of the free downloads, check out “Walking The Plank” and “Guilty Fever”.

Tagged with:
Feb 25

For years I used to get upset at the awful repetition you would get listening to commercial radio. In my early 20s I spent a bit of time listening to Triple J (that’s a public “alternative” radio station for those outside of Australia) and realised that even public radio has the same problem. Awful repetition, just different music being repeated.

Now don’t get me wrong, I enjoyed the music well enough. It’s just that once you listened for a week or two you would find yourself listening to much the same songs every day. No different to my current forced radio listening (the radio on at work). Classic Rock 24/7. Nice in moderation.

Here’s what a friend of mine tweeted after the recent Triple J Hottest 100 was announced:

As usual the JJJ Hottest 100 was about as narrow-minded as any commercial radio countdown, which is fine… just don’t pretend it’s better.

That pretty much sums it up. The Triple J listening crowd do tend to see themselves as quite the alternatives, but that’s really just a matter of perspective. And I’m sure similar stations all over the world have much the same attitude. “Triple J” music is a particular sort of music and its listeners don’t have all that much to differentiate them from each other.

Do we all really just listen to a limited playlist like every radio station ever? Here’s a little test…

Last.fm user Anthony Liekens has created a couple of very useful scripts for our desired purpose. They take your top artists from your last.fm user profile and add in all the similar artists to each of them. The more unique artists you get in the total, the more eclectic your musical taste.

Try out the Eclectic Test and if you are truly awesome, the Super Eclectic Test.

If you get a pass result on either of them, give yourself a clap. And then consider coming and joining the Better Hottest 100 group on last.fm. I’ve got this idea that if we get enough truly eclectic listeners joining in, at the end of the year we can create our own chart that would show Triple J and its listeners was alternative really means.

Tagged with:
Feb 18

My 12 year old son and his friend spent much of last weekend mixing and matching all his lego minifigs to make his own Dr Who Lego.

Given that there was nothing manufactured specifically for what they were trying to make, I think they did a great job.

I’ve never been that interested in branded Lego, but if they ever did a merchandising deal with the Beeb over this, they would have a large amount of my money. And plenty of my childrens’ too.

Please excuse the poor photography. I rushed a bit, perhaps I can upload some new versions later.

Tagged with:
Feb 05

The Great Empire of The Gristika was formed on its maritime power and for centuries had ruled the oceans. Its polar opposite was The Rozan Empire, created out of a forge of magic and violence. These two great peoples conquered The Known World. Ultimately their rivalry peaked and there was war.

Neither could gain the upper hand. They had such enormous armies that the chance of either making any sort of great advance was minimal. An arms race of sorts developed. Weapons that had never before been seen in the world were used. Explosives of the most violent sort. Flames from the very pits of Hell. Artillery that could attack from vast distances.

While this unending war raged on, the people of the central territories of the Empires barely knew anything was happening. The front would move tens, even hundreds of miles at a time, but always back and forth. The central peoples were untouched. The common man in either Capital wouldn’t even know there was a war on unless the prices for his favourite delicacy increased or if his son was conscripted and sent off to the front.

One hundred and years and more this went on. If the truth was really to be told, the war was off more often than it was on. On the frontiers there would be clashes; some small, some larger. Every few years a great conflict would arise, shifting the front to the advantage of one Empire or the other and then the armies would settle back into their uneasy routine. The war became part of the daily life of the Empires. Something that was just always there. Something to talk about in the market place. A jingoistic rallying point for the leaders. A place to go for the searchers for glory.

page 1 page 2 page 3 page 4

Tagged with:
preload preload preload